{"id":305457,"date":"2025-12-28T00:39:01","date_gmt":"2025-12-28T00:39:01","guid":{"rendered":"https:\/\/www.ecoustics.com\/products\/pro-ject-cd-box-rs2-tube\/"},"modified":"2025-12-29T20:14:33","modified_gmt":"2025-12-29T20:14:33","slug":"pro-ject-cd-box-rs2-tube","status":"publish","type":"post","link":"https:\/\/www.ecoustics.com\/products\/pro-ject-cd-box-rs2-tube\/","title":{"rendered":"Are Audiophiles Really Flocking Back to CDs? Pro-Ject\u2019s CD Box RS2 Tube Seems to Think So"},"content":{"rendered":"\n<p><strong>Pro-Ject<\/strong>&nbsp;has unveiled the latest addition to its flagship RS2 range, the&nbsp;<strong>CD Box RS2 Tube<\/strong>\u2014and it wastes no time declaring its intent. This is a&nbsp;<strong>CD player<\/strong> with an internal DAC and a fully balanced tube (valve) output stage. It reads CDs, converts the signal internally, and outputs analog audio. That\u2019s the definition. Calling it a \u201ctransport\u201d is simply wrong, no matter how often that error gets repeated <a href=\"https:\/\/www.whathifi.com\/hi-fi\/cd-players\/pro-jects-new-flagship-cd-transport-has-a-built-in-dac-and-plenty-of-versatility\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">elsewhere<\/a>.<\/p>\n\n\n\n<p>At\u00a0<strong>$2,799 USD<\/strong>, the CD Box RS2 Tube is a serious financial ask. Not outrageous <em>if<\/em>\u00a0the performance delivers, but expectations rise quickly at this level\u2014especially when similarly priced players often include SACD playback or digital inputs for added flexibility. Pro-Ject is making a clear, unapologetic bet: that a focused, single-format CD player still matters to a certain kind of listener.<\/p>\n\n\n\n<p>That bet doesn\u2019t exist in a vacuum. The compact disc never vanished\u2014it just stopped being fashionable to talk about. The renewed attention around CD playback didn\u2019t&nbsp;<em>begin<\/em>&nbsp;in 2025, but this year has brought a noticeable wave of&nbsp;<strong>new, genuinely serious releases<\/strong>, suggesting that manufacturers are once again willing to engineer for the format rather than merely tolerate it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"638\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-open-lid.jpg\" alt=\"pro-ject-cd-box-rs2-tube-open-lid\" class=\"wp-image-305493\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-open-lid.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-open-lid-768x544.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p>Some of the most telling examples sit at the opposite end of the price spectrum. Portable CD players from&nbsp;<strong>FiiO<\/strong>&nbsp;and&nbsp;<strong>Shanling<\/strong>, both comfortably under&nbsp;<strong>$500<\/strong>, have proven that affordable doesn\u2019t have to mean disposable. Their surprisingly robust headphone outputs make them legitimate listening tools rather than novelty throwbacks\u2014practical, travel-friendly options for listeners who still want physical media without committing to a full rack. We put them through extended real-world use during <a href=\"https:\/\/www.ecoustics.com\/articles\/portable-cd-players-2025\/\">travel in Europe in late June and July<\/a>, and they held up.<\/p>\n\n\n\n<p>Meanwhile,&nbsp;<strong>Marantz<\/strong>,&nbsp;<strong>Shanling<\/strong>,&nbsp;<strong>TEAC<\/strong>, and now Pro-Ject have all leaned back into disc playback\u2014not as a revolution, but as a quiet acknowledgment that CDs never actually went away. What&nbsp;<em>has<\/em>&nbsp;changed is the willingness to treat the format as something worth doing properly again.<\/p>\n\n\n\n<p>That still doesn\u2019t put CDs anywhere near vinyl\u2019s 15-year resurgence. Vinyl\u2019s revival was cultural, economic, and generational. CD playback is something quieter and more pragmatic\u2014a format that never broke, never disappeared, and continues to make a compelling case for listeners who value physical media without the ritual, maintenance, or escalating costs that come with turntables and cartridges.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-what-s-new-in-the-cd-box-rs2-tube\">What\u2019s New in the CD Box RS2 Tube<\/h2>\n\n\n\n<p>This is the first CD player in Pro-Ject\u2019s RS line to <strong>include an integrated DAC<\/strong>. The CD Box RS2 Tube uses a Texas Instruments PCM1796 DAC in a fully differential configuration, feeding a fully balanced tube output stage. The DAC is not optional or external here\u2014it is part of the core design and intended to work directly with the balanced analog stage rather than act as a generic add-on.<\/p>\n\n\n\n<p>Disc playback is handled by the SUOS DM-3381 Red Book CD-DA drive, which is designed specifically for CD rather than adapted from DVD or Blu-ray mechanisms. Pro-Ject pairs the drive with its BlueTiger\u2122 CD-88 servo system to help reduce jitter, tracking errors, and mechanical noise. The drive is mounted in a vibration-damped chassis with a central-mass layout, focusing on stability and consistency during playback.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"539\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-black.jpg\" alt=\"pro-ject-cd-box-rs2-tube-black\" class=\"wp-image-305492\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-black.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-black-768x460.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">The Pro-Ject Audio CD Box RS2 Tube is available in black or silver<\/figcaption><\/figure>\n\n\n\n<p>Control is straightforward. The front panel provides direct access to basic functions, and a full aluminium remote is included. The large RS2 LCD display shows track and time information and supports CD-Text when available, displaying artist and track names for discs that include the data.<\/p>\n\n\n\n<p>The output stage follows the established RS design approach, using a fully balanced tube circuit with two E88CC tubes. Balanced XLR outputs are provided, along with optical and coaxial digital outputs for users who want to route the signal to an external DAC. The player uses a top-loading mechanism with an aluminium cover plate and magnetic clamp.<\/p>\n\n\n\n<p>The CD Box RS2 Tube is available in black or silver and is made in Europe. Physical dimensions are 206 \u00d7 84 \u00d7 200 mm (210 mm with sockets), which translates to approximately 8.1 \u00d7 3.3 \u00d7 7.9 inches (8.3 inches with sockets). Weight is 3.2 kg, or about 7.1 pounds, without the power supply.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"625\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-silver-rear.jpg\" alt=\"pro-ject-cd-box-rs2-tube-silver-rear\" class=\"wp-image-305495\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-silver-rear.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/pro-ject-cd-box-rs2-tube-silver-rear-768x533.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-bottom-line\">The Bottom Line<\/h2>\n\n\n\n<p>The&nbsp;<strong>Pro-Ject CD Box RS2 Tube<\/strong>&nbsp;is a clear statement piece in a category that\u2019s been quietly rebuilding momentum. On the plus side, it\u2019s a seemingly well engineered CD player with a dedicated Red Book drive, a high-quality&nbsp;<strong>PCM1796 DAC<\/strong>, and a fully balanced tube output stage\u2014features that will appeal to listeners running balanced systems who want a focused, disc-only component. The build, top-loading mechanism, and European manufacturing all reinforce that this isn\u2019t meant to be a budget nod to nostalgia.<\/p>\n\n\n\n<p>The downside is just as clear. At\u00a0<strong>$2,799<\/strong> (\u00a31749 \/ AU$3500), expectations are high, and the feature set is intentionally narrow. There\u2019s no SACD support, no digital inputs, and no attempt to make this a broader digital hub. If you want flexibility, this isn\u2019t it\u2014and at this price, some buyers will reasonably expect more than Red Book CD playback alone.<\/p>\n\n\n\n<p>The ugly part is simply the trade-off Pro-Ject is asking you to accept. This is a single-format player in a market where similarly priced competitors often offer SACD capability or added connectivity. If you still own a large CD collection and want a dedicated player with a balanced tube output, the CD Box RS2 Tube makes a coherent case. If you\u2019re looking for maximum versatility per dollar, this one will feel stubbornly, and deliberately limited.<\/p>\n\n\n\n<p><strong>For more information:<\/strong> <a href=\"https:\/\/www.project-audio.com\/en\/product\/cd-box-rs2-tube\/\" target=\"_blank\" rel=\"noreferrer noopener\">CD Box RS2 Tube<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading\">Related Reading:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/quad-3cdt\/\">Quad 3CDT Arrives As The Quad 3\u2019S Quiet, Disc-Spinning Sibling: A No-Drama CD Transport For Quad\u2019s New Integrated<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/fiio-dm15-r2r\/\">FiiO Unveils DM15 R2R Portable CD Player: CDs Are Back, Baby And FiiO\u2019s Betting Big On The Silver Disc Revival<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/teac-pd-507t\/\">TEAC Launches PD-507T: Reference 500 Series CD Transport For&nbsp;DAC Users Who Stream And Spin CDs<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/shanling-scd3-3\/\">Shanling Unveils SCD3.3 SACD Player With 2nd-Gen R2R DAC And Tube Output<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pro-Ject\u2019s CD Box RS2 Tube doubles down on Red Book CDs with a balanced tube stage\u2014no SACD, no digital inputs, and a $2,300 price tag.<\/p>\n","protected":false},"author":89,"featured_media":305491,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[79,22],"tags":[4856,14452,4374,4468,11630,30923,10434],"class_list":{"0":"post-305457","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cd-player","8":"category-products","9":"tag-cd-players","10":"tag-featured","11":"tag-pro-ject","12":"tag-pro-ject-audio","13":"tag-pro-ject-audio-systems","14":"tag-pro-ject-cd-box-rs2-tube","15":"tag-pro-ject-cd-players"},"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.4 (Yoast SEO v24.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Are Audiophiles Really Flocking Back to CDs? Pro-Ject\u2019s CD Box RS2 Tube Seems to Think So - ecoustics.com<\/title>\n<meta name=\"description\" content=\"Pro-Ject\u2019s CD Box RS2 Tube doubles down on Red Book CDs with a balanced tube stage\u2014no SACD, no digital inputs, and a $2,300 price tag.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ecoustics.com\/products\/pro-ject-cd-box-rs2-tube\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Are Audiophiles Really Flocking Back to CDs? 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/305457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=305457"}],"version-history":[{"count":8,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/305457\/revisions"}],"predecessor-version":[{"id":305593,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/305457\/revisions\/305593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/305491"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=305457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=305457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=305457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}