{"id":320508,"date":"2026-06-04T07:56:00","date_gmt":"2026-06-04T07:56:00","guid":{"rendered":"https:\/\/www.ecoustics.com\/products\/chord-ultima-7\/"},"modified":"2026-06-04T16:33:39","modified_gmt":"2026-06-04T16:33:39","slug":"chord-ultima-7","status":"publish","type":"post","link":"https:\/\/www.ecoustics.com\/products\/chord-ultima-7\/","title":{"rendered":"Chord Electronics ULTIMA 7 and Blade Stereo Power Amplifiers Debut at HIGH END Vienna 2026"},"content":{"rendered":"\n<p><strong>Chord Electronics<\/strong> is using&nbsp;HIGH END Vienna 2026&nbsp;to preview two new stereo power amplifiers before their formal autumn launch: the<strong>&nbsp;ULTIMA 7 <\/strong>stereo power amplifier&nbsp;and the&nbsp;<strong>Blade<\/strong>, a slimline 0.5U Class G GaN stereo amplifier aimed squarely at the custom installation market.<\/p>\n\n\n\n<p>Both models are British-made, designed by Chord Electronics founder and owner<strong> John Franks<\/strong>, and built around the company\u2019s&nbsp;<strong>ULTIMA amplifier technology<\/strong>. Full specifications, pricing, and availability will not be announced until&nbsp;<strong>September<\/strong>, so consider this a controlled tease rather than the whole menu. Very Chord. Give them credit: they know how to make the audiophile press chase breadcrumbs across Europe.<\/p>\n\n\n\n<p>The timing is also interesting given our <a href=\"https:\/\/www.ecoustics.com\/podcasts\/rob-watts\/\">recent podcast conversation<\/a> with&nbsp;<strong>Chord Electronics\u2019 Rob Watts<\/strong>, which included more than a few hints about where the company is heading beyond DACs, even if much of the discussion naturally circled back to digital design and the&nbsp;DAVE. These new analogue products suggest Chord is not just polishing its digital crown while the amplifier side waits in the hallway.<\/p>\n\n\n\n<p>We will have more to say after HIGH END Vienna 2026, once we have seen the&nbsp;ULTIMA 7&nbsp;and&nbsp;Blade&nbsp;in person and Chord decides to release the details everyone actually wants: power output, connectivity, dimensions, pricing, and how much damage they will do to your equipment rack and bank account.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-ultima-7-chord-s-new-entry-point\">ULTIMA 7: Chord\u2019s New Entry Point<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"623\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/PXL_20260604_082940105-2.jpg\" alt=\"PXL_20260604_082940105-2\" class=\"wp-image-320913\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/PXL_20260604_082940105-2.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/PXL_20260604_082940105-2-768x532.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Chord ULTIMA 3 PRE (top) and ULTIMA 7 (bottom)<\/figcaption><\/figure>\n\n\n\n<p>The new&nbsp;ULTIMA 7 stereo power amplifier&nbsp;is designed to visually and physically complement the&nbsp;<a href=\"https:\/\/www.ecoustics.com\/products\/chord-ultima-pre-3\/\">ULTIMA PRE 3 preamplifier,<\/a> including matching height, which should make system-building a little cleaner for Chord owners who prefer their racks not to look like a police lineup.<\/p>\n\n\n\n<p>When it launches in September, the ULTIMA 7 will become the most affordable full-width power amplifier in Chord Electronics\u2019 lineup. Chord says the amplifier delivers&nbsp;135 watts per channel into 8 ohms&nbsp;and uses the company\u2019s&nbsp;Dual Feed Forward error-correction technology, developed to reduce distortion and improve transient response.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-blade-chord-gets-skinny-for-ci\">Blade: Chord Gets Skinny for CI<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"420\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-blade-high-end-vienna-2026.jpg\" alt=\"chord-blade-high-end-vienna-2026\" class=\"wp-image-320911\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-blade-high-end-vienna-2026.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-blade-high-end-vienna-2026-768x358.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Chord Blade stereo power amplifier<\/figcaption><\/figure>\n\n\n\n<p>The all-new&nbsp;<strong>Blade stereo power amplifier<\/strong>&nbsp;might be the more interesting reveal, at least from a market perspective. Chord Electronics is not new to power amplifiers, but a&nbsp;<strong>0.5U-high, rack-mountable Class G GaN stereo amplifier<\/strong>aimed at the&nbsp;<strong>custom installation market<\/strong>&nbsp;is a different move for the British brand.<\/p>\n\n\n\n<p>Designed by&nbsp;John Franks, Blade uses an evolved version of Chord\u2019s&nbsp;ULTIMA topology&nbsp;and&nbsp;Dual Feed Forward error-correction technology, developed specifically for this amplifier. According to Chord, that design approach allows the Blade to control vertical MOSFETs in a&nbsp;Class G GaN configuration, delivering high power from a very shallow chassis.<\/p>\n\n\n\n<p>That matters because CI systems are often built around space, heat, reliability, and serviceability as much as sound quality. A slimline Chord amplifier that can slot into architectural audio, stereo, or multichannel installations without demanding half the rack is the real story here.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"646\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-high-end-vienna-2026.jpg\" alt=\"chord-high-end-vienna-2026\" class=\"wp-image-320915\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-high-end-vienna-2026.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-high-end-vienna-2026-768x388.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">Chord Electronics at HIGH END Vienna 2026<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-bottom-line\">The Bottom Line<\/h2>\n\n\n\n<p>The&nbsp;ULTIMA 7&nbsp;and&nbsp;Blade&nbsp;are the real news from Chord Electronics at&nbsp;HIGH END Vienna 2026, but for very different reasons. The ULTIMA 7 matters because it will become Chord\u2019s most affordable full-width power amplifier and is designed to match the <a href=\"https:\/\/www.ecoustics.com\/products\/chord-ultima-pre-3\/\">ULTIMA PRE 3<\/a>. That gives existing and future Chord owners a cleaner, more logical amplifier option without jumping straight into the deeper end of the ULTIMA pool.<\/p>\n\n\n\n<p>The&nbsp;Blade&nbsp;is the more unexpected product. A&nbsp;0.5U-high, rack-mountable Class G GaN stereo amplifier&nbsp;built around an evolved ULTIMA topology points Chord toward the&nbsp;custom installation market, where rack space, heat, reliability, and channel density matter as much as raw performance.<\/p>\n\n\n\n<p>Both amplifiers were designed by&nbsp;<strong>John Franks<\/strong>&nbsp;and are handmade in Kent, with Franks on-site in Vienna to discuss the products and underlying technology.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"940\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-dave-quartet-high-end-vienna-2026.jpg\" alt=\"chord-dave-quartet-high-end-vienna-2026\" class=\"wp-image-320914\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-dave-quartet-high-end-vienna-2026.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/chord-dave-quartet-high-end-vienna-2026-768x564.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">Chord Dave DAC (top) with Quartet Upscaler (bottom two components)<\/figcaption><\/figure>\n\n\n\n<p>Chord is also bringing more than just the two new power amps. The company will show the new&nbsp;<a href=\"https:\/\/www.ecoustics.com\/products\/chord-electronics-quartet\/\">Quartet upscaler<\/a>, which is available to order now, along with the flagship&nbsp;ULTIMA PHONOSTAGE&nbsp;for vinyl listeners. The main reference system will include the&nbsp;DAVE DAC,&nbsp;ULTIMA PRE&nbsp;preamplifier, and&nbsp;ULTIMA 3 mono amplifiers, supported by a&nbsp;Rega RP10 turntable,&nbsp;Innuos music server, and&nbsp;Chord Company cabling.<\/p>\n\n\n\n<p>No loudspeaker has been announced yet. We will find that out on Thursday, along with the bigger question: whether the Blade is just Chord getting thinner for rack installs, or the start of a much broader CI strategy.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading\">Related Reading:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/tag\/high-end-vienna-2026\/\">More HIGH END Vienna 2026 Coverage<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/podcasts\/rob-watts\/\">Podcast: Chord DACs &amp; Digital Audio Mysteries With Rob Watts<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/chord-electronics-quartet\/\">Chord Electronics Quartet Upscaler Targets Reference Digital Audio With Advanced Timing Precision<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/chord-suzi-pre-amp\/\">Chord Electronics Suzi Preamp And Power Amp Aim To Bring Big Sound And Rebellion To Small Desktops<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/chord-electronics-alto\/\">Chord Electronics\u2019 Alto Headphone\/Speaker Amplifier Offers A Level Of Flexibility That Is Unmatched<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Chord previews ULTIMA 7 and Class G GaN Blade amps at HIGH END Vienna 2026, with Blade targeting CI racks and architectural audio.<\/p>\n","protected":false},"author":89,"featured_media":320855,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[77,22],"tags":[12380,19889,33280,14452,32641,5319],"class_list":{"0":"post-320508","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-amplifier","8":"category-products","9":"tag-chord-dave","10":"tag-chord-electronics","11":"tag-chord-electronics-ultima-7","12":"tag-featured","13":"tag-high-end-vienna-2026","14":"tag-power-amplifiers"},"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.4 (Yoast SEO v24.4) - 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/320508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=320508"}],"version-history":[{"count":8,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/320508\/revisions"}],"predecessor-version":[{"id":320918,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/320508\/revisions\/320918"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/320855"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=320508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=320508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=320508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}