{"id":328849,"date":"2026-08-18T17:04:36","date_gmt":"2026-08-18T17:04:36","guid":{"rendered":"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/"},"modified":"2026-08-18T17:04:44","modified_gmt":"2026-08-18T17:04:44","slug":"vinnie-rossi-canta-phono-preamplifier","status":"publish","type":"post","link":"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/","title":{"rendered":"Vinnie Rossi CANTA Phono Preamplifier Launches a New High End Audio Series With Vinyl First"},"content":{"rendered":"\n<p>Nearly 20 years ago, I wrote what was, at the time, the first mainstream publication review of&nbsp;Vinnie Rossi\u2019s Red Wine Audio iMod, a $200 modification that bypassed parts of the iPod\u2019s analog output stage and turned Apple\u2019s portable player into something audiophiles were suddenly willing to connect to rather expensive systems.&nbsp;<em>Wired<\/em>&nbsp;subsequently quoted my original review in its 2006 examination of the growing audiophile fascination with modified iPods.<\/p>\n\n\n\n<p>Vinnie has come a rather long way since then.<\/p>\n\n\n\n<p>The new\u00a0Vinnie Rossi CANTA Phono Preamplifier\u00a0weighs 22 pounds, is machined from a solid block of aluminum, supports both <a href=\"https:\/\/www.ecoustics.com\/ask-an-expert\/wtf-moving-magnet-coil-phono-cartridges\/\">MM and MC cartridges<\/a>, and launches an entirely new component family positioned below Rossi\u2019s cost-no-object Brama Series. The CANTA range will expand this fall with an integrated amplifier, preamplifier, and stereo power amplifier.<\/p>\n\n\n\n<p>Starting a new electronics line with a phono stage in 2026 also tells you something about where Rossi thinks high-end audio is going.<\/p>\n\n\n\n<p>Apparently vinyl did not get the memo that it was supposed to die.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front.jpg\" alt=\"vinnie-rossi-canta-phono-preamplifier-front\" class=\"wp-image-328971\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-768x432.jpg 768w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-1024x576.jpg 1024w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-600x337.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-why-is-the-vinnie-rossi-canta-phono-different\">Why Is the Vinnie Rossi CANTA Phono Different?<\/h2>\n\n\n\n<p>Flexibility is the obvious answer, but the circuitry is more interesting.<\/p>\n\n\n\n<p>The CANTA uses a&nbsp;fully discrete JFET transconductance\/transimpedance input stage&nbsp;rather than an IC op-amp-based input section, followed by a dual-mono architecture with independent left and right-channel circuitry. Power comes from a&nbsp;Belleson super-regulated supply, while both balanced XLR and single-ended RCA inputs and outputs are provided.<\/p>\n\n\n\n<p>The cartridge adjustment range is unusually extensive. MM users get four gain settings and four capacitance choices, while MC users can select four gain settings and&nbsp;20 impedance values ranging from 10 to 1,000 ohms. Settings are stored in memory even after AC power is disconnected, and the front-panel display allows changes without having to crawl behind the rack with a flashlight and vocabulary unsuitable for children.<\/p>\n\n\n\n<p>RIAA accuracy is specified at&nbsp;\u00b10.1dB from 20Hz to 20kHz, and a switchable third-order 20Hz subsonic filter is included for warped records, turntable rumble, and other low-frequency garbage that your woofers really do not need to reproduce.<\/p>\n\n\n\n<p>There are no tubes here, despite Rossi\u2019s extensive use of Western Electric 300Bs in Brama. CANTA Phono is an all-solid-state design focused on low noise, cartridge matching, and keeping extremely small phono signals intact before they reach the rest of the system.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"417\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-rear.jpg\" alt=\"vinnie-rossi-canta-phono-preamplifier-rear\" class=\"wp-image-328969\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-rear.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-rear-768x250.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-vinnie-rossi-canta-phono-preamplifier-specifications\">Vinnie Rossi CANTA Phono Preamplifier Specifications<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Cartridge Support:<\/strong>&nbsp;Moving Magnet and Moving Coil<\/li>\n\n\n\n<li><strong>Inputs:<\/strong>&nbsp;1 pair balanced XLR; 1 pair single-ended RCA<\/li>\n\n\n\n<li><strong>Outputs:<\/strong>&nbsp;1 pair balanced XLR; 1 pair single-ended RCA<\/li>\n\n\n\n<li><strong>MM Gain:<\/strong>&nbsp;36dB, 40dB, 46dB, 52dB<\/li>\n\n\n\n<li><strong>MC Gain:<\/strong>&nbsp;56dB, 60dB, 66dB, 72dB<\/li>\n\n\n\n<li><strong>MM Loading:<\/strong>&nbsp;47k ohms<\/li>\n\n\n\n<li><strong>MM Capacitance:<\/strong>&nbsp;100pF, 200pF, 300pF, 400pF<\/li>\n\n\n\n<li><strong>MC Loading:<\/strong>&nbsp;10, 15, 18, 20, 25, 30, 40, 50, 60, 70, 80, 90, 100, 150, 180, 200, 250, 400, 600, or 1,000 ohms<\/li>\n\n\n\n<li><strong>RIAA Accuracy:<\/strong>&nbsp;\u00b10.1dB from 20Hz to 20kHz<\/li>\n\n\n\n<li><strong>Subsonic Filter:<\/strong>&nbsp;Switchable third-order high-pass filter at 20Hz<\/li>\n\n\n\n<li><strong>Maximum Output:<\/strong>&nbsp;10Vrms<\/li>\n\n\n\n<li><strong>Output Impedance:<\/strong>&nbsp;Less than 100 ohms<\/li>\n\n\n\n<li><strong>Dimensions:<\/strong>&nbsp;16.25 x 12.75 x 2.75 inches<\/li>\n\n\n\n<li><strong>Weight:<\/strong>&nbsp;22 pounds<\/li>\n\n\n\n<li><strong>AC Power:<\/strong>&nbsp;100\u2013240V, 50\/60Hz<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-who-is-it-for\">Who Is It For?<\/h2>\n\n\n\n<p>The CANTA Phono is aimed at listeners whose analog front end has moved beyond the point where a basic MM\/MC box makes sense.<\/p>\n\n\n\n<p>Someone using multiple cartridges, very low-output moving coils, or frequently changing cartridge loading will appreciate the ability to adjust almost everything from the front panel and have those settings remembered. Balanced connectivity also makes considerable sense in larger systems where the phono stage may sit some distance from the line preamplifier.<\/p>\n\n\n\n<p>It is also clearly intended for someone considering Brama but unwilling\u2014or perhaps unable without creating an awkward domestic conversation\u2014to move all the way into Rossi\u2019s flagship electronics.<\/p>\n\n\n\n<p>Vinnie Rossi describes the CANTA Phono as a&nbsp;bridge between Brama and the forthcoming CANTA components, which suggests this is not intended to be an inexpensive entry-level product.<\/p>\n\n\n\n<p>What we do&nbsp;<strong>not<\/strong>&nbsp;know yet is important: Vinnie Rossi has not published U.S. pricing or a firm shipping date, and the current specification sheet does not provide published signal-to-noise, THD, or overall frequency-response figures beyond the stated RIAA accuracy.<\/p>\n\n\n\n<p>So put the credit card back in the drawer for another five minutes.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-competition\">The Competition<\/h2>\n\n\n\n<p>Pricing will ultimately determine which products belong directly across the table from CANTA, but the high-end phono market is hardly short of alternatives.<\/p>\n\n\n\n<p>The\u00a0<strong><a href=\"https:\/\/www.ecoustics.com\/products\/mofi-masterphono-preamplifier\/\">MoFi Electronics MasterPhono<\/a><\/strong> at $5,995\u00a0may be one of the most interesting comparisons. Peter Madnick\u2019s fully discrete, balanced design offers both conventional voltage inputs and a current-mode transimpedance input for low-impedance moving-coil cartridges, four gain settings, extensive loading options, a dual-chassis power supply, remote operation, and \u00b10.05dB RIAA accuracy.<\/p>\n\n\n\n<p>Musical Fidelity\u00a0attacks the same market from a different direction. The\u00a0<strong>N<a href=\"https:\/\/www.ecoustics.com\/products\/musical-fidelity-nu-vista-vinyl-s\/\">u-Vista Vinyl S<\/a><\/strong> is $6,999, while the flagship\u00a0<strong>Nu-Vista Vinyl 2<\/strong> is $12,999. The Vinyl 2 combines fully balanced discrete circuitry with eight 7586 Nuvistor tubes, multiple RCA and XLR inputs, extensive cartridge adjustment, three EQ curves, and selectable subsonic filtering.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.ecoustics.com\/products\/eat-e-glo-sb-cb\/\">E.A.T. <\/a>is another obvious competitor with its new $4,599 <strong>E-Glo CB<\/strong> and $6,250<strong> E-Glo SB<\/strong>.&nbsp;Both are fully discrete, dual-mono phono stages with balanced XLR connectivity, MM\/MC support, extensive loading and gain adjustment, and no IC op-amps in the signal path. The CB uses a hybrid second gain stage built around two ECC83S tubes and a transistor, while the more expensive SB moves closer to E.A.T.\u2019s flagship E-Glo FB architecture with a fully balanced tube-based second stage using two ECC83S and two E88CC tubes. The SB, in particular, looks like a very direct rival if Rossi lands the CANTA somewhere around the $6,000 mark.<\/p>\n\n\n\n<p>Other potential alternatives include the&nbsp;Sutherland DUO,&nbsp;Pass Labs XP-17\/XP-27,&nbsp;Parasound JC 3+, and Boulder\u2019s 508, depending on where Rossi ultimately lands on price.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-bottom-line\">The Bottom Line<\/h2>\n\n\n\n<p>The CANTA Phono is interesting for more than its extensive loading options or 22-pound chassis.<\/p>\n\n\n\n<p>It represents the beginning of Vinnie Rossi\u2019s next chapter.<\/p>\n\n\n\n<p>The guy who once modified an iPod in his workshop now builds $40,000-class electronics, machines enclosures from solid aluminum, works with Western Electric 300B tubes in his flagship products, and is launching a second product family intended to make his design philosophy accessible to a broader group of high-end listeners.<\/p>\n\n\n\n<p>And he chose&nbsp;<strong>vinyl<\/strong>&nbsp;to introduce it.<\/p>\n\n\n\n<p>Twenty years after I plugged one of his modified iPods into my system, there is something wonderfully backwards about that.<\/p>\n\n\n\n<p>For more information: <a href=\"https:\/\/vinnierossi.com\/canta-phono-preamplifier\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">vinnierossi.com<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading\">Related Reading:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/eat-e-glo-sb-cb\/\">EAT E Glo SB And CB Bring Flagship Balanced Phono Technology Starting At $4,599<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/mofi-ultraphono-pro\/\">MoFi Electronics Introduces UltraPhono Pro: More Affordable High-End MM\/MC Phono Preamp<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/nagra-preamp-ii-s\/\">NAGRA&nbsp;Launches PREAMP II-S Tube Preamplifier Built The Swiss Way: Slowly, Precisely, And Without Apology<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/vertere-phono-1-lx\/\">Vertere Phono-1 LX MM\/MC Phono Preamp Brings Lower Noise And Greater Control To Vinyl Playback<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>What makes Vinnie Rossi\u2019s CANTA Phono different? The new MM\/MC phono preamp launches a new high-end series with extensive cartridge control.<\/p>\n","protected":false},"author":89,"featured_media":328968,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[22,78],"tags":[35749,14452,4378,4902,35747,35746],"class_list":{"0":"post-328849","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-products","8":"category-preamplifier","9":"tag-canta-phono-preamplifier","10":"tag-featured","11":"tag-phono-preamplifiers","12":"tag-phono-preamps","13":"tag-vinnie-rossi","14":"tag-vinnie-rossi-canta-phono-preamplifier"},"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.4 (Yoast SEO v24.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vinnie Rossi CANTA Phono Preamplifier Launches a New High End Audio Series With Vinyl First - ecoustics.com<\/title>\n<meta name=\"description\" content=\"What makes Vinnie Rossi\u2019s CANTA Phono different? The new MM\/MC phono preamp launches a new high-end series with extensive cartridge control.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vinnie Rossi CANTA Phono Preamplifier Launches a New High End Audio Series With Vinyl First\" \/>\n<meta property=\"og:description\" content=\"What makes Vinnie Rossi\u2019s CANTA Phono different? The new MM\/MC phono preamp launches a new high-end series with extensive cartridge control.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\" \/>\n<meta property=\"og:site_name\" content=\"ecoustics.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ecoustics\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-18T17:04:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-18T17:04:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-angle.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ian White\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@ecoustics\" \/>\n<meta name=\"twitter:site\" content=\"@ecoustics\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ian White\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\"},\"author\":{\"name\":\"Ian White\",\"@id\":\"https:\/\/www.ecoustics.com\/#\/schema\/person\/ba34636b299563b6c43751067d6f0fdb\"},\"headline\":\"Vinnie Rossi CANTA Phono Preamplifier Launches a New High End Audio Series With Vinyl First\",\"datePublished\":\"2026-08-18T17:04:36+00:00\",\"dateModified\":\"2026-08-18T17:04:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\"},\"wordCount\":1127,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.ecoustics.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-angle.jpg\",\"keywords\":[\"CANTA Phono Preamplifier\",\"Featured\",\"phono preamplifiers\",\"phono preamps\",\"Vinnie Rossi\",\"Vinnie Rossi CANTA Phono Preamplifier\"],\"articleSection\":[\"New Products\",\"Preamplifiers\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/#respond\"]}],\"copyrightYear\":\"2026\",\"copyrightHolder\":{\"@id\":\"https:\/\/www.ecoustics.com\/#organization\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\",\"url\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/\",\"name\":\"Vinnie Rossi CANTA Phono Preamplifier Launches a New High End Audio Series With Vinyl First - ecoustics.com\",\"isPartOf\":{\"@id\":\"https:\/\/www.ecoustics.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.ecoustics.com\/products\/vinnie-rossi-canta-phono-preamplifier\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/vinnie-rossi-canta-phono-preamplifier-front-angle.jpg\",\"datePublished\":\"2026-08-18T17:04:36+00:00\",\"dateModified\":\"2026-08-18T17:04:44+00:00\",\"description\":\"What makes Vinnie Rossi\u2019s CANTA Phono different? 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/328849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=328849"}],"version-history":[{"count":4,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/328849\/revisions"}],"predecessor-version":[{"id":328975,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/328849\/revisions\/328975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/328968"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=328849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=328849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=328849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}