{"id":332024,"date":"2026-09-14T08:13:04","date_gmt":"2026-09-14T08:13:04","guid":{"rendered":"https:\/\/www.ecoustics.com\/products\/smsl-r100-d400-mk2-dacs\/"},"modified":"2026-09-14T08:13:10","modified_gmt":"2026-09-14T08:13:10","slug":"smsl-r100-d400-mk2-dacs","status":"publish","type":"post","link":"https:\/\/www.ecoustics.com\/products\/smsl-r100-d400-mk2-dacs\/","title":{"rendered":"SMSL R100 and D400 MK2 DACs Challenge FiiO, Schiit and Topping Below $1,000"},"content":{"rendered":"\n<p>There are some exceptional high-end DACs above $2,000, and anyone with sufficient financial courage can keep climbing until the price reaches six figures. MSB\u2019s Sentinel DAC system currently starts at&nbsp;<strong>$375,000<\/strong>, proving once again that digital audio is perfectly capable of separating you from the cost of a house without requiring a single moving coil cartridge.<\/p>\n\n\n\n<p>For the other 99% of us, the far more interesting competition is taking place below $1,000. FiiO, Schiit Audio, Topping and SMSL are offering genuinely different conversion architectures, DSP, parametric EQ, balanced outputs, network streaming, Bluetooth and powerful headphone amplification at prices that would have sounded slightly ridiculous not very long ago.<\/p>\n\n\n\n<p>SMSL has now added two very different products to that fight. The&nbsp;<strong>$289 R100<\/strong>&nbsp;is an R2R DAC built around a pair of Analog Devices AD1861-J converters, while the&nbsp;<strong>$649 D400 MK2<\/strong>&nbsp;uses AKM\u2019s AK4191\/AK4499EX architecture with XMOS USB processing and a dedicated 10MHz OCXO clock system. We have not heard either DAC, so any discussion of how they compare sonically with FiiO, Schiit or Topping would be fiction dressed up as reviewing. What we can evaluate is the engineering, functionality, pricing and rather substantial competition facing both products.<\/p>\n\n\n\n<p>The arrival of the R100 and D400 MK2 follows several significant DAC launches that we have covered recently, including FiiO\u2019s K13 R2R and K15, Topping\u2019s E50 II, and Schiit Audio\u2019s forthcoming Bifrost 3. The result is a segment where conversion architecture may now be as important to the buying decision as the traditional checklist of inputs, outputs and maximum sample rates.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-how-do-they-compare\">How Do They Compare?<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><th>Model<\/th><th>U.S. Price<\/th><th>Conversion Architecture<\/th><th>Digital Support<\/th><th>PEQ<\/th><th>What Else Does It Do?<\/th><\/tr><tr><td><strong><a href=\"https:\/\/www.ecoustics.com\/products\/topping-e50-ii-dac\/\">Topping E50 II<\/a><\/strong><\/td><td><a href=\"https:\/\/amzn.to\/4reVnDE\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$199<\/a><\/td><td>AK4497S<\/td><td>PCM 32\/768, DSD512<\/td><td>Yes<\/td><td>LDAC Bluetooth, RCA\/TRS outputs, preamp mode<\/td><\/tr><tr><td><strong>Topping D50 III<\/strong><\/td><td><a href=\"https:\/\/amzn.to\/4rjYQRd\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$229<\/a><\/td><td>Dual ES9039Q2M<\/td><td>PCM 32\/768, DSD512<\/td><td>10-band<\/td><td>LDAC Bluetooth, RCA\/TRS outputs, preamp mode<\/td><\/tr><tr><td><strong>SMSL R100<\/strong><\/td><td><a href=\"https:\/\/amzn.to\/4gVBtsg\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$289<\/a><\/td><td>Dual AD1861-J R2R<\/td><td>PCM 32\/768, DSD512 input support<\/td><td>Web-based<\/td><td>XLR\/RCA outputs<\/td><\/tr><tr><td><strong><a href=\"https:\/\/www.ecoustics.com\/products\/fiio-k13-r2r-dac\/\">FiiO K13 R2R<\/a><\/strong><\/td><td><a href=\"https:\/\/amzn.to\/4AaYpNb\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$319<\/a><\/td><td>FiiO 24-bit discrete R2R<\/td><td>PCM 32\/384, DSD256<\/td><td>Yes<\/td><td>LDAC Bluetooth, NOS\/OS, 2.4W\/ch balanced headphone amp<\/td><\/tr><tr><td><strong><a href=\"https:\/\/www.ecoustics.com\/products\/topping-d70-pro-octo-dac\/\">Topping D70 Pro OCTO<\/a><\/strong><\/td><td><a href=\"https:\/\/amzn.to\/46rzxmH\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$499<\/a><\/td><td>8 x CS43198<\/td><td>PCM 32\/768, DSD512<\/td><td>No<\/td><td>Bluetooth, AES, I\u00b2S, XLR\/RCA, preamp mode<\/td><\/tr><tr><td><strong><a href=\"https:\/\/www.ecoustics.com\/products\/fiio-k15-dac-headphone-amp\/\">FiiO K15<\/a><\/strong><\/td><td><a href=\"https:\/\/amzn.to\/4yBrtMi\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$599<\/a><\/td><td>Dual AK4497S<\/td><td>PCM 32\/768, DSD512<\/td><td>10-band<\/td><td>Wi-Fi, Ethernet, Bluetooth, local playback, analog inputs, 3W\/ch balanced headphone amp<\/td><\/tr><tr><td><strong>SMSL D400 MK2<\/strong><\/td><td><a href=\"https:\/\/amzn.to\/3TvOl0C\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">$649<\/a><\/td><td>AK4191 + AK4499EX<\/td><td>PCM 32\/768, DSD512<\/td><td>No<\/td><td>10MHz OCXO, AES, I\u00b2S, LDAC Bluetooth<\/td><\/tr><tr><td><strong><a href=\"https:\/\/www.ecoustics.com\/products\/schiit-bifrost-3-dac\/\">Schiit Bifrost 3<\/a><\/strong><\/td><td>$699<\/td><td>Mesh 8&#215;39 DSP, dual ES9039 modulators<\/td><td>Unison 384 USB<\/td><td>Yes<\/td><td>Forkbeard control, modular DSP, OTA updating<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>Current sale prices can change. Schiit has announced Bifrost 3 ahead of an expected late-October shipment and has not yet published a complete final production specification sheet.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-smsl-r100-going-backward-to-move-forward\">SMSL R100: Going Backward to Move Forward?<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"446\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-front.jpg\" alt=\"smsl-r100-dac-front\" class=\"wp-image-332104\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-front.jpg 1000w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-front-768x343.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">SMSLl R100<\/figcaption><\/figure>\n\n\n\n<p>The&nbsp;<strong>SMSL R100<\/strong>&nbsp;is easily the stranger of the two new DACs.<\/p>\n\n\n\n<p>Instead of selecting one of the latest ESS, AKM or Cirrus Logic converters, SMSL built the R100 around&nbsp;two Analog Devices AD1861-J DAC chips. The AD1861 is an 18-bit PCM converter from an earlier generation of digital audio, and Analog Devices now classifies it as obsolete.<\/p>\n\n\n\n<p>That does not automatically make it better, more analog sounding or endowed with mystical powers unavailable to modern silicon. It does make the R100 an unusual product at $289.<\/p>\n\n\n\n<p>SMSL surrounds the AD1861-J pair with its own de-glitch architecture, digital filtering and low-jitter clock processing while adding a&nbsp;browser-based parametric EQ&nbsp;that does not require a conventional desktop application. The CNC-machined enclosure even includes two transparent top panels so owners can admire the circuitry, because apparently we have reached the point where DACs need windows.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"424\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-rear.jpg\" alt=\"smsl-r100-dac-rear\" class=\"wp-image-332105\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-rear.jpg 1000w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-r100-dac-rear-768x326.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p>There is an important technical point here. The R100 can accept PCM files up to 32-bit\/768kHz and DSD512 through USB, but the underlying AD1861 remains an 18-bit PCM DAC. Those input figures describe what the digital front end can receive and process, not the native resolution of a converter introduced decades before DSD512 existed.<\/p>\n\n\n\n<p>That makes the R100 interesting for reasons other than the usual specification race. SMSL is taking an older multibit conversion technology and surrounding it with contemporary digital processing, balanced outputs and user-adjustable EQ rather than attempting to win solely through lower distortion numbers.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-smsl-r100-vs-fiio-k13-r2r\">SMSL R100 vs. FiiO K13 R2R<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"635\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k13-r2r-dac-silver-angle.jpg\" alt=\"FiiO K13 R2R DAC silver angle\" class=\"wp-image-295364\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k13-r2r-dac-silver-angle.jpg 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k13-r2r-dac-silver-angle-768x542.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">FiiO K13 R2R<\/figcaption><\/figure>\n\n\n\n<p>The\u00a0<strong>$319.99 <a href=\"https:\/\/www.ecoustics.com\/products\/fiio-k13-r2r-dac\/\">FiiO K13 R2R<\/a><\/strong> arrives at resistor-ladder conversion through a completely different route. Its proprietary fully differential DAC uses four 24-bit resistor arrays with 48 precision thin-film resistors per channel, for 192 resistors overall. FiiO also allows users to switch between NOS and oversampling modes and incorporates the DAC into a complete desktop headphone system rather than treating it as a standalone converter.<\/p>\n\n\n\n<p>That makes the additional $31 rather easy to justify for headphone listeners. The K13 R2R includes LDAC Bluetooth and a balanced headphone amplifier rated at&nbsp;2.4 watts per channel into 32 ohms, whereas the SMSL is strictly a line-level DAC.<\/p>\n\n\n\n<p>The R100 makes more sense for an existing two-channel system or desktop setup where amplification is already covered. Its appeal rests on the AD1861 implementation, balanced XLR outputs and unusually accessible web-based PEQ rather than on trying to become an entire desktop system.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-topping-attacks-the-r100-from-below\">Topping Attacks the R100 From Below<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"384\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/topping-e50-ii-dac-silver-angle.jpg\" alt=\"Topping E50 II DAC silver angle\" class=\"wp-image-304030\"\/><figcaption class=\"wp-element-caption\">Topping E50 II DAC<\/figcaption><\/figure><\/div>\n\n\n<p>Topping offers two alternatives that make SMSL\u2019s job considerably harder.<\/p>\n\n\n\n<p>At $199, the <a href=\"https:\/\/www.ecoustics.com\/products\/topping-e50-ii-dac\/\"><strong>E50 II<\/strong><\/a> uses an AK4497S converter with XMOS XU316 USB processing and adds Bluetooth, balanced TRS outputs and PEQ.<\/p>\n\n\n\n<p>The&nbsp;<strong>$229 D50 III<\/strong>&nbsp;moves to dual ES9039Q2M DACs while retaining PCM 768kHz\/DSD512 capability, LDAC Bluetooth, balanced TRS connectivity, preamp operation and 10-band PEQ.<\/p>\n\n\n\n<p>Neither Topping offers the R100\u2019s vintage R2R architecture, which is precisely why the comparison is useful. Buyers interested primarily in modern delta-sigma conversion, measured performance and connectivity can spend less, while SMSL is betting that a more unusual approach to conversion will justify the premium.<\/p>\n\n\n\n<p>That is a much harder sell than simply claiming the R100 supports bigger numbers. It is also considerably more interesting.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-smsl-d400-mk2-modern-akm-with-serious-clocking\">SMSL D400 MK2: Modern AKM With Serious Clocking<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1406\" height=\"450\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-front.jpg\" alt=\"smsl-d400-mk2-front\" class=\"wp-image-332101\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-front.jpg 1406w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-front-768x246.jpg 768w\" sizes=\"auto, (max-width: 1406px) 100vw, 1406px\" \/><\/figure>\n\n\n\n<p>The&nbsp;<strong>D400 MK2<\/strong>&nbsp;could hardly be more different from the R100.<\/p>\n\n\n\n<p>SMSL uses an&nbsp;AK4191 digital processing chip with an AK4499EX converter, along with an XMOS XU316 USB interface, five dual op-amps and its proprietary CK-04 clock processing circuit. Connectivity includes USB, optical, coaxial, AES\/EBU, I\u00b2S and Bluetooth, with balanced XLR and single-ended RCA outputs.<\/p>\n\n\n\n<p>There are two inconsistencies in SMSL\u2019s own published specifications that require clarification.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1397\" height=\"281\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-rear.jpg\" alt=\"smsl-d400-mk2-rear\" class=\"wp-image-332102\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-rear.jpg 1397w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-rear-768x154.jpg 768w\" sizes=\"auto, (max-width: 1397px) 100vw, 1397px\" \/><\/figure>\n\n\n\n<p>The product page correctly states&nbsp;<strong>one AK4191 plus one AK4499EX<\/strong>&nbsp;and then, two lines later, describes a dual-mono implementation with \u201cone AK4499EX per channel.\u201d SMSL\u2019s Version 1.0 manual specifies one AK4191 and one AK4499EX, so that is the configuration we are using unless the manufacturer issues a correction.<\/p>\n\n\n\n<p>The OCXO specification is also inconsistent. SMSL\u2019s current product page claims&nbsp;<strong>\u00b15 ppb<\/strong>, while the Version 1.0 manual specifies&nbsp;<strong>\u00b13 ppb<\/strong>&nbsp;for the built-in 10MHz oscillator.<\/p>\n\n\n\n<p>That documentation hiccup aside, the D400 MK2 is clearly aimed at listeners who want a dedicated DAC rather than another multifunction desktop component. There is no headphone amplifier or network streaming platform stuffed inside the chassis; the emphasis is on conversion, clocking and a broad selection of digital inputs.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-fiio-k15-more-functions-for-less-money\">FiiO K15: More Functions for Less Money<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k15-front-angle.jpg\" alt=\"FiiO K15 Desktop DAC and Headphone Amp Front View Angle\" class=\"wp-image-289745\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k15-front-angle.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k15-front-angle-768x432.jpg 768w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k15-front-angle-1024x576.jpg 1024w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/fiio-k15-front-angle-600x337.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">FiiO K15 Desktop DAC and Headphone Amp<\/figcaption><\/figure>\n\n\n\n<p>The&nbsp;<strong>$599 <a href=\"https:\/\/www.ecoustics.com\/products\/fiio-k15-dac-headphone-amp\/\">FiiO K15<\/a><\/strong>&nbsp;illustrates just how differently manufacturers are attacking this price range.<\/p>\n\n\n\n<p>Its dual AK4497S conversion stage is combined with Wi-Fi, Gigabit Ethernet, Bluetooth, local playback, analog inputs and a discrete Class A\/B headphone amplifier capable of&nbsp;3 watts per channel into 32 ohms&nbsp;through the balanced outputs. FiiO also includes 10-band PEQ and a 3.93-inch display.<\/p>\n\n\n\n<p>Someone shopping for a complete desktop digital hub will have difficulty ignoring that feature set, especially at $100 less than the SMSL.<\/p>\n\n\n\n<p>The D400 MK2 is not attempting to win that particular contest. Its narrower purpose should appeal more to listeners who already own a streamer, headphone amplifier or preamplifier and want the digital conversion handled by a dedicated component.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-schiit-bifrost-3-almost-the-same-price-nothing-like-the-same-dac\">Schiit Bifrost 3: Almost the Same Price, Nothing Like the Same DAC<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1569\" height=\"751\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/schiit-bifrost-3-front-silver.jpg\" alt=\"2026 Schiit Audio Bifrost 3 DAC Silver Front Angle\" class=\"wp-image-332085\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/schiit-bifrost-3-front-silver.jpg 1569w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/schiit-bifrost-3-front-silver-768x368.jpg 768w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/schiit-bifrost-3-front-silver-1536x735.jpg 1536w\" sizes=\"auto, (max-width: 1569px) 100vw, 1569px\" \/><figcaption class=\"wp-element-caption\">Schiit Bifrost 3<\/figcaption><\/figure>\n\n\n\n<p>At\u00a0<strong>$699<\/strong>, the forthcoming\u00a0<strong><a href=\"https:\/\/www.ecoustics.com\/products\/schiit-bifrost-3-dac\/\">Schiit Bifrost 3<\/a><\/strong>\u00a0sits only $50 above the SMSL but heads in another direction entirely.<\/p>\n\n\n\n<p>Schiit\u2019s new&nbsp;Mesh 8&#215;39&nbsp;architecture uses proprietary time- and frequency-domain optimized filtering running on Analog Devices DSP hardware, with two ES9039 devices employed as mono modulators. Bifrost 3 also supports Schiit\u2019s Forkbeard platform for digital preamp functions, EQ and over-the-air updates, along with a modular DSP architecture and the company\u2019s Unison 384 USB interface.<\/p>\n\n\n\n<p>SMSL emphasizes contemporary AKM conversion, extensive physical connectivity and dedicated clock hardware. Schiit is putting far more emphasis on proprietary DSP, software control and future upgradeability.<\/p>\n\n\n\n<p>At almost identical prices, those choices make a direct comparison far more useful than pretending DAC shopping can be reduced to which converter chip appears first on the specification sheet.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-r100-dacs.jpg\" alt=\"2026 SMSL D400 MK2 and R100 DACs\" class=\"wp-image-332103\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-r100-dacs.jpg 1280w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-r100-dacs-768x432.jpg 768w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-r100-dacs-1024x576.jpg 1024w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/smsl-d400-mk2-r100-dacs-600x337.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">SMSL D400 MK2 (left) and R100 (right)<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-bottom-line\">The Bottom Line<\/h2>\n\n\n\n<p>The R100 and D400 MK2 make sense as a pair because they show SMSL refusing to bet on one solution.<\/p>\n\n\n\n<p>The R100 is the riskier product. Building a $289 DAC around obsolete AD1861-J converters immediately separates it from the herd, while browser-based PEQ and balanced outputs keep the surrounding platform firmly in 2026. FiiO and Topping offer more functionality for similar or less money, so SMSL will ultimately have to prove that its implementation delivers something worth choosing.<\/p>\n\n\n\n<p>The D400 MK2 has an easier job to explain. It is a focused standalone DAC with flagship AKM conversion, extensive wired inputs and dedicated clock hardware at $649, placing it directly between the multifunction FiiO K15 and Schiit\u2019s more proprietary Bifrost 3 approach.<\/p>\n\n\n\n<p>None of those design philosophies guarantees better sound, and specifications alone cannot settle the argument. What they do demonstrate is how little reason most listeners now have to assume that serious digital performance requires spending several thousand dollars.<\/p>\n\n\n\n<p>If the two new SMSL DACs sound as competitive as their engineering and pricing suggest, FiiO, Schiit and Topping have two more products to worry about.<\/p>\n\n\n\n<p>And consumers have two more reasons not to remortgage the house for a DAC &#8212; which is one of the most insane wastes of money around. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-where-to-buy\">Where to buy:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>SMSL R100 R2R DAC &#8211; <a href=\"https:\/\/amzn.to\/4gVBtsg\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$289 at Amazon<\/a> | <a href=\"https:\/\/apos.audio\/products\/smsl-r100-r2r-desktop-dac?sca_ref=409794.Na6Rw12ycB\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Apos Audio<\/a><\/li>\n\n\n\n<li>SMSL D400 MK2 DAC &#8211; <a href=\"https:\/\/amzn.to\/3TvOl0C\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$649 at Amazon<\/a> | <a href=\"https:\/\/apos.audio\/products\/smsl-d400-mk2-high-resolution-usb-desktop-dac?sca_ref=409794.Na6Rw12ycB\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Apos Audio<\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading\">Related Reading:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/ifi-zen-air-blue-2\/\">IFi ZEN Air Blue 2 DAC Debuts With Bluetooth 5.4 And AptX Lossless Support<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/geshelli-torc-dac\/\">Geshelli\u2019s Torc DAC At AXPONA 2026 Lets You Have It Your Way Because Different Strokes For Different Folks<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/reviews\/apos-geshelli-merlin\/\">Apos X Geshelli Merlin Balanced DAC Review: This $225 Box Should Not Sound This Good, But Here We Are<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/articles\/best-dacs\/\"><\/a><a href=\"https:\/\/www.ecoustics.com\/articles\/best-dacs\/\">Best DACs: Editors\u2019 Choice<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can SMSL\u2019s new R100 and D400 MK2 compete with FiiO, Schiit and Topping in the increasingly crowded DAC market below $1,000?<\/p>\n","protected":false},"author":89,"featured_media":332103,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[82,22],"tags":[4396,36570,14452,10594,29106,36566,29119,4381,36526,24027,36567,36565,7836,36568,17186,36569],"class_list":{"0":"post-332024","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-dac","8":"category-products","9":"tag-dac","10":"tag-dac-1000","11":"tag-featured","12":"tag-fiio","13":"tag-fiio-k13-r2r","14":"tag-fiio-k15-3","15":"tag-r2r-dac","16":"tag-schiit-audio","17":"tag-schiit-bifrost-3","18":"tag-smsl","19":"tag-smsl-d400-mk2","20":"tag-smsl-r100-r2r-dac","21":"tag-topping","22":"tag-topping-d50-iii","23":"tag-topping-d70-pro-octo","24":"tag-topping-e50-ii-2"},"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.4 (Yoast SEO v24.4) - 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/332024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=332024"}],"version-history":[{"count":5,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/332024\/revisions"}],"predecessor-version":[{"id":332106,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/332024\/revisions\/332106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/332103"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=332024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=332024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=332024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}