{"id":334452,"date":"2026-10-05T04:28:03","date_gmt":"2026-10-05T04:28:03","guid":{"rendered":"https:\/\/www.ecoustics.com\/articles\/audio-technica-vmx-cartridges-andover-one-dd\/"},"modified":"2026-10-05T04:28:10","modified_gmt":"2026-10-05T04:28:10","slug":"audio-technica-vmx-cartridges-andover-one-dd","status":"publish","type":"post","link":"https:\/\/www.ecoustics.com\/articles\/audio-technica-vmx-cartridges-andover-one-dd\/","title":{"rendered":"What Is Audio-Technica&#8217;s VMx Cartridge Line and Why Is It on the Andover-One DD?"},"content":{"rendered":"\n<p>A new turntable arriving this week sent me down an unexpected Audio-Technica rabbit hole.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/www.ecoustics.com\/products\/andover-one-dd-direct-drive-turntable\/\">Andover-One DD<\/a>, which we recently covered and will be reviewing later this month, is Andover Audio\u2019s new $999 direct-drive turntable. It uses an 8.8-inch carbon-fiber tonearm with adjustable VTA, a removable SME-style headshell and a factory-installed <strong>Audio-Technica AT-VM520xEB moving-magnet cartridge<\/strong>.<\/p>\n\n\n\n<p>Nothing particularly strange there. Audio-Technica cartridges appear on an enormous number of turntables, including Andover\u2019s own <a href=\"https:\/\/www.ecoustics.com\/reviews\/andover-spinplay\/\">SpinPlay<\/a>, which I use almost every day in my home office.<\/p>\n\n\n\n<p>Except the AT-VM520xEB was not a model I recognized.<\/p>\n\n\n\n<p>I currently have several of Audio-Technica\u2019s new <a href=\"https:\/\/www.ecoustics.com\/products\/audio-technica-at33x\/\">AT33x moving-coil cartridges<\/a> here for another review coming this month, and I\u2019m certainly familiar with the affordable <a href=\"https:\/\/www.ecoustics.com\/products\/audio-technica-at-vm95ebk\/\">AT-VM95<\/a> family that has become almost ubiquitous on entry-level and mid-priced turntables. But what exactly was this VMx lineup that Andover had selected for its new flagship component turntable?<\/p>\n\n\n\n<p>As it turns out, Audio-Technica introduced the revised VMx range in 2025, including new versions of its established dual-moving-magnet cartridges with changes to the generator, coil wire, housings, mounting system and styli. Audio-Technica announced several of the models around HIGH END Munich 2025, with the Japanese release following on May 23.<\/p>\n\n\n\n<p>And somehow, I had completely missed them.<\/p>\n\n\n\n<p>I wasn\u2019t entirely alone. The VMx range has received some coverage \u2014 AVForums reviewed four members of the family in July 2025, and What Hi-Fi? subsequently reviewed the AT-VM740xML, but this has hardly been one of the most discussed cartridge launches of the past 18 months. That seems rather odd considering Audio-Technica\u2019s position in the phono cartridge market and the breadth of this particular range.<\/p>\n\n\n\n<p>So what did we miss?<\/p>\n\n\n\n<p>Quite a bit, actually.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading\">Related Reading:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/andover-one-dd-direct-drive-turntable\/\">Andover-One DD Direct Drive Turntable Has More Tech Than Your Average $999 Deck<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/audio-technica-vinyl-accessories-2026\/\">Audio-Technica Targets Better Vinyl Playback With New Turntable and Record Care Accessories<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-this-is-not-the-at-vm95-series\">This Is Not the AT-VM95 Series<\/h2>\n\n\n\n<p>The first thing to understand is where the VMx cartridges fit.<\/p>\n\n\n\n<p>Audio-Technica\u2019s <strong><a href=\"https:\/\/www.ecoustics.com\/products\/audio-technica-at-vm95ebk\/\">AT-VM95 series<\/a><\/strong> remains its enormously popular affordable moving-magnet range. Those cartridges start very inexpensively and allow buyers to move from conical and elliptical styli through MicroLinear and Shibata versions without replacing the cartridge body.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"481\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm95ebk.jpg\" alt=\"AT-VM95E\" class=\"wp-image-318238\"\/><figcaption class=\"wp-element-caption\">Audio-Technica AT-VM95E Phono Cartridge<\/figcaption><\/figure><\/div>\n\n\n<p>The VMx family sits above that range. It is Audio-Technica\u2019s premium dual moving magnet line, and while the concept isn&#8217;t new, the current VMx models incorporate several meaningful changes from their predecessors.<\/p>\n\n\n\n<p>Audio-Technica&#8217;s VM design uses two magnets positioned to correspond with the left and right channels of a stereo record groove, an arrangement intended to more closely resemble the geometry of the cutter head used to create the record. The VMx generator uses paratoroidal coils, with two coils per channel, along with a center shield plate designed to reduce electrical crosstalk between the channels.<\/p>\n\n\n\n<p>The revised cartridges also use PCUHD \u2014 Pure Copper Ultra High Drawability \u2014 coil wire, with fewer coil turns than the previous generation. Audio-Technica says the changes improve transient response while preserving channel separation and stereo imaging.<\/p>\n\n\n\n<p>There is another change that anyone who has spent 20 minutes crawling around beneath a turntable looking for a microscopic cartridge nut will appreciate: <strong>the VMx bodies are threaded<\/strong>.<\/p>\n\n\n\n<p>You insert the screws from above and tighten them directly into the cartridge body. No tiny nuts. No tweezers. No vocabulary that would get you thrown out of Sunday school.<\/p>\n\n\n\n<p>Audio-Technica also redesigned the flip-up stylus guard with a V-shaped opening that makes the stylus easier to see when lowering it onto a record.<\/p>\n\n\n\n<p>More important, however, is that there are really two stereo VMx platforms hiding inside the same range.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-two-bodies-and-a-lot-of-styli\">Two Bodies and a Lot of Styli<\/h2>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"454\" data-id=\"334613\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm510xcb.jpg\" alt=\"at-vm510xcb\" class=\"wp-image-334613\"\/><figcaption class=\"wp-element-caption\">AT-VM510xCB<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"441\" data-id=\"334616\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm740xml.jpg\" alt=\"at-vm740xml\" class=\"wp-image-334616\"\/><figcaption class=\"wp-element-caption\">AT-VM740xML<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The <strong>AT-VM510xCB, AT-VM520xEB and AT-VM530xEN<\/strong> use Audio-Technica&#8217;s lightweight polymer body and weigh 7.2 grams.<\/p>\n\n\n\n<p>Move into the <strong>AT-VM740xML, AT-VM745xML, AT-VM750xSH and AT-VM760xSL<\/strong>, and Audio-Technica switches to a die-cast aluminum body designed to reduce vibration and resonance. Those models weigh 8.8 grams.<\/p>\n\n\n\n<p>The stylus options are even more interesting.<\/p>\n\n\n\n<p>Across the stereo VMx range, Audio-Technica offers bonded conical, bonded elliptical, nude elliptical, nude MicroLinear, nude MicroLinear with a boron cantilever, nude Shibata with a boron cantilever, and Special Line Contact with a boron cantilever.<\/p>\n\n\n\n<p>And the replacement styli are interchangeable across the stereo VMx bodies. Audio-Technica&#8217;s compatibility chart specifically allows owners to install the more advanced VMx styli on the less expensive stereo bodies, although the resulting combination is not necessarily equivalent to buying one of the aluminum-bodied models from the start.<\/p>\n\n\n\n<p>That makes the $109 cartridge supplied with the Andover-One DD more interesting than its price might initially suggest.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm510xcb-99\">Audio-Technica AT-VM510xCB \u2014 $99<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"454\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm510xcb.jpg\" alt=\"\" class=\"wp-image-334613\"\/><\/figure><\/div>\n\n\n<p>The AT-VM510xCB is the starting point. It uses a 0.6 mil bonded conical stylus, aluminum cantilever and polymer body, with a 5.0 mV output and 2.0-gram recommended tracking force.<\/p>\n\n\n\n<p>At $99, it competes with the <strong>Ortofon 2M Red<\/strong>, <a href=\"https:\/\/amzn.to\/4hpbJWU\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">currently $109.99,<\/a> although the Ortofon uses an elliptical rather than conical stylus.<\/p>\n\n\n\n<p>The 510xCB makes the most sense for someone who wants access to the VMx generator and upgrade path at the lowest possible cost. Personally, I would find the extra ten dollars for the next model before somebody spent it on another reissue they already own three copies of.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/3VryzEU\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$99 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm520xeb-109\">Audio-Technica AT-VM520xEB \u2014 $109<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"455\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm520xeb.jpg\" alt=\"at-vm520xeb\" class=\"wp-image-334614\"\/><\/figure><\/div>\n\n\n<p>This is the cartridge Andover Audio selected for the Andover-One DD.<\/p>\n\n\n\n<p>The AT-VM520xEB swaps the conical stylus for a 0.3 x 0.7 mil bonded elliptical, while retaining the polymer housing and aluminum cantilever. Output is 5.0 mV, channel separation is rated at 24 dB at 1 kHz, recommended tracking force is 2.0 grams, and Audio-Technica specifies a conventional 47-kohm load with 150 to 250 pF capacitance.<\/p>\n\n\n\n<p>For <strong>$109<\/strong>, this might be the model that makes the most sense for manufacturers such as Andover. It is inexpensive enough to include on a $999 turntable without consuming a disproportionate amount of the parts budget, but it is also part of a platform that gives the owner somewhere to go.<\/p>\n\n\n\n<p>That distinction is important.<\/p>\n\n\n\n<p>Buy the Andover-One DD and you are not necessarily throwing away the entire cartridge when the upgrade itch starts. A nude elliptical, MicroLinear, Shibata or Special Line Contact VMx stylus can be installed later. Audio-Technica even sells the AT-VM520xEB <a href=\"https:\/\/amzn.to\/3Uc2dxr\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">pre-mounted to its AT-LT10 headshell for $169<\/a>.<\/p>\n\n\n\n<p>The established competition in this price range includes the Ortofon 2M Red at $109.99 and <a href=\"https:\/\/www.turntablelab.com\/products\/nagaoka-mp-110-cartridge?aff=56072\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Nagaoka MP-110 at $149<\/a>. Whether the VM520xEB can beat either one sonically is something we&#8217;re going to find out when the Andover arrives.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/4i0qCPA\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$109 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm530xen-199\">Audio-Technica AT-VM530xEN \u2014 $199<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"451\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm530xen.jpg\" alt=\"at-vm530xen\" class=\"wp-image-334615\"\/><\/figure><\/div>\n\n\n<p>The AT-VM530xEN retains the polymer body but upgrades to a nude 0.3 x 0.7 mil elliptical stylus on an aluminum cantilever. Output drops to 3.2 mV, frequency response extends to 25kHz, and channel separation increases to 25 dB.<\/p>\n\n\n\n<p>The important word here is <strong>nude<\/strong>. Instead of bonding a diamond tip to another material that is then attached to the cantilever, the stylus uses a single diamond element, reducing moving mass and potentially improving the stylus&#8217; ability to follow rapid changes in the groove.<\/p>\n\n\n\n<p>At $199, this model runs directly into the <strong><a href=\"https:\/\/amzn.to\/4zixI88\">Ortofon 2M Blue<\/a><\/strong>, another nude elliptical design and one of the most familiar cartridge upgrades in the category.<\/p>\n\n\n\n<p>This might be the VMx cartridge for buyers who want a meaningful step beyond the entry models but don&#8217;t want to become amateur surveyors every time they align a more demanding line-contact stylus.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/4xYSjgk\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$199 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm740xml-249\">Audio-Technica AT-VM740xML \u2014 $249<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"441\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm740xml.jpg\" alt=\"\" class=\"wp-image-334616\"\/><\/figure><\/div>\n\n\n<p>Things become considerably more serious with the AT-VM740xML.<\/p>\n\n\n\n<p>The 740xML moves to the 8.8-gram die-cast aluminum body and uses Audio-Technica&#8217;s nude MicroLinear stylus with a tapered aluminum cantilever. Frequency response is rated from 20Hz to 25kHz, output is 3.2 mV, and channel separation is 25 dB.<\/p>\n\n\n\n<p>MicroLinear styli are designed to maintain a much larger and more precise contact area with the groove than conventional conical or elliptical profiles. They can retrieve more information, particularly toward the inner grooves of a record, but alignment becomes more critical.<\/p>\n\n\n\n<p>In other words, \u201clooks straight enough\u201d is no longer an alignment methodology.<\/p>\n\n\n\n<p>At <strong>$249<\/strong>, the 740xML sits just above the Ortofon 2M Blue and well below the <a href=\"https:\/\/amzn.to\/4hvc6iD\">Nagaoka MP-150<\/a>.<\/p>\n\n\n\n<p>This is probably where the VMx range starts becoming particularly interesting for owners of better $750 to $2,000 turntables who want serious groove-tracing ability without crossing into moving-coil territory.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/4xYSjgk\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$199 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm745xml-329\">Audio-Technica AT-VM745xML \u2014 $329<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"440\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vmn45xml.jpg\" alt=\"at-vmn45xml\" class=\"wp-image-334617\"\/><\/figure><\/div>\n\n\n<p>The AT-VM745xML looks very similar to the 740xML because it uses the same nude MicroLinear stylus profile and aluminum body.<\/p>\n\n\n\n<p>The change is underneath it: a solid boron cantilever replaces aluminum.<\/p>\n\n\n\n<p>Audio-Technica claims the lower-mass, stiffer boron cantilever can transmit mechanical information substantially faster than the aluminum version. The 745xML is rated from 20Hz to 27kHz, produces 3.7 mV, and increases channel separation to 26 dB.<\/p>\n\n\n\n<p>The price moves to <strong>$329<\/strong>, making this one of the more intriguing cartridges in the range on paper. Boron cantilevers are generally associated with considerably more expensive cartridges, including many moving-coil designs.<\/p>\n\n\n\n<p>The obvious question is whether the extra $80 over the 740xML produces an audible improvement in a real system or merely gives audiophiles another technical specification to discuss while ignoring the stack of records next to the turntable.<\/p>\n\n\n\n<p>We intend to find out.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/475CsBQ\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$329 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm750xsh-369\">Audio-Technica AT-VM750xSH \u2014 $369<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"442\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm750xsh.jpg\" alt=\"at-vm750xsh\" class=\"wp-image-334618\"\/><\/figure><\/div>\n\n\n<p>The AT-VM750xSH retains the aluminum body and solid boron cantilever but changes the stylus profile to a nude Shibata.<\/p>\n\n\n\n<p>Shibata styli were originally developed for extended-frequency quadraphonic records, but their large groove-contact area has made them a popular high-end option for conventional stereo playback as well. Properly aligned, they can retrieve substantial amounts of information while reducing pressure at any single contact point.<\/p>\n\n\n\n<p>This is also where something interesting happens competitively.<\/p>\n\n\n\n<p>Nagaoka&#8217;s <strong><a href=\"https:\/\/amzn.to\/4AFWaBE\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">MP-150 is also $369<\/a><\/strong>, putting the two Japanese cartridges head-to-head on price, although their designs and stylus profiles are quite different. The <a href=\"https:\/\/amzn.to\/4jK44Uq\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Ortofon 2M Bronze<\/a> also enters the conversation as buyers move toward the upper end of moving-magnet territory.<\/p>\n\n\n\n<p>For listeners with large, clean record collections and turntables capable of precise cartridge alignment, this is the point where spending more on the transducer can make rather more sense than buying another platter mat made from an endangered tree.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/4yB74qY\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$369 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-audio-technica-at-vm760xsl-599\">Audio-Technica AT-VM760xSL \u2014 $599<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"442\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm760xsl.jpg\" alt=\"at-vm760xsl\" class=\"wp-image-334619\"\/><\/figure><\/div>\n\n\n<p>At the top sits the AT-VM760xSL, and Audio-Technica isn&#8217;t messing around anymore.<\/p>\n\n\n\n<p>The 760xSL combines the aluminum VMx body with a <strong>solid boron cantilever and nude Special Line Contact stylus<\/strong>. Output is 3.7 mV and recommended tracking force remains 2.0 grams. <\/p>\n\n\n\n<p>At that price, moving magnet is no longer automatically the inexpensive option.<\/p>\n\n\n\n<p>The <strong>Ortofon 2M Black<\/strong>, for example, <a href=\"https:\/\/amzn.to\/4jCFFQG\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">currently sells for $749.99<\/a> and uses a nude Shibata stylus on an aluminum cantilever. Nagaoka&#8217;s MP-200 sits around $509, while a number of entry-level <a href=\"https:\/\/www.ecoustics.com\/ask-an-expert\/wtf-moving-magnet-coil-phono-cartridges\/\">moving-coil cartridges<\/a> also begin appearing in this territory.<\/p>\n\n\n\n<p>Audio-Technica&#8217;s advantage is that the 760xSL does not require a moving-coil phono stage, step-up transformer or cartridge exchange program when the stylus eventually wears out. The stylus assembly is replaceable, just like the rest of the VMx stereo family.<\/p>\n\n\n\n<p><a href=\"https:\/\/amzn.to\/46WcoJp\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$599 at Amazon<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-what-about-mono-and-78-rpm-records\">What About Mono and 78 RPM Records?<\/h2>\n\n\n\n<p>Audio-Technica also offers two specialized VMx models.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"454\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm610xmono.jpg\" alt=\"at-vm610xmono\" class=\"wp-image-334620\"\/><\/figure><\/div>\n\n\n<p>The <strong>AT-VM610xMONO (<a href=\"https:\/\/amzn.to\/4yuOMrc\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$129<\/a>)<\/strong> uses a 0.6 mil bonded conical stylus and a dedicated mono configuration in which the magnets are electrically connected to deliver the same signal to both channels. Output is 5.0 mV and tracking force is 2.0 grams.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"455\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/at-vm670xsp.jpg\" alt=\"at-vm670xsp\" class=\"wp-image-334621\"\/><\/figure><\/div>\n\n\n<p>The <strong>AT-VM670xSP (<a href=\"https:\/\/amzn.to\/4APkcdq\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$139<\/a>)<\/strong> is intended specifically for 78 RPM records and uses a much larger <strong>3.0 mil bonded conical stylus<\/strong>. It produces 4.7 mV and tracks at 5.0 grams. Do not buy one and put it on your copy of <em>Kind of Blue<\/em> unless you enjoy making expensive mistakes.<\/p>\n\n\n\n<p>Both use the polymer body rather than the aluminum housing found on the upper stereo models.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-why-did-andover-choose-the-at-vm520xeb\">Why Did Andover Choose the AT-VM520xEB?<\/h2>\n\n\n\n<p>This is where the entire exercise comes back to the new turntable sitting on its way to my listening room.<\/p>\n\n\n\n<p>For a $999 turntable, the AT-VM520xEB is a logical factory cartridge. It has enough output to work with virtually any conventional MM phono stage, uses a proper elliptical stylus, tracks at an uncomplicated 2 grams and doesn&#8217;t require an experienced cartridge installer to make it behave.<\/p>\n\n\n\n<p>That&#8217;s smarter than including an expensive cartridge that inflates the price of the turntable and may not suit the buyer&#8217;s system or musical priorities.<\/p>\n\n\n\n<p>Andover has also chosen something slightly less obvious than the usual suspects. We see Audio-Technica&#8217;s AT-VM95 cartridges everywhere because they are inexpensive, reliable and very easy to recommend. The VMx family is intended to move beyond that entry-level role while preserving much of the same practical flexibility.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\"  itemprop=\"image\" src=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/andover-one-dd-direct-drive-turntable-angle.png\" alt=\"Andover-One DD Direct-Drive Turntable\" class=\"wp-image-334293\" srcset=\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/andover-one-dd-direct-drive-turntable-angle.png 900w, https:\/\/www.ecoustics.com\/wp-content\/uploads\/andover-one-dd-direct-drive-turntable-angle-768x512.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Andover-One DD Direct-Drive Turntable<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-bottom-line\">The Bottom Line<\/h2>\n\n\n\n<p>Audio-Technica did not suddenly invent a new type of phono cartridge with the VMx series. This is an evolution of its long-running dual-moving-magnet platform, and anyone expecting analog witchcraft or a diamond harvested during a lunar eclipse is going to be disappointed.<\/p>\n\n\n\n<p>What Audio-Technica did was more useful.<\/p>\n\n\n\n<p>The company improved the generator with PCUHD copper and revised coil construction, added threaded mounting holes, expanded the stylus and cantilever choices, created a more substantial aluminum body for the upper models, and maintained an upgrade path that allows owners to replace the stylus rather than throw away the entire cartridge.<\/p>\n\n\n\n<p>The range also covers a surprisingly wide territory: <strong>$99 to $599 for the stereo cartridges<\/strong>, with conical, elliptical, MicroLinear, Shibata and Special Line Contact options, plus aluminum and boron cantilevers.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/www.ecoustics.com\/products\/andover-one-dd-direct-drive-turntable\/\">Andover-One DD<\/a> arrives this week. The AT33x cartridges are already here. And I now know rather more about the VMx family than I did 24 hours ago.<\/p>\n\n\n\n<p>October is apparently going to involve a lot of very small diamonds.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-where-to-buy\">Where to Buy:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>AT-VM510xCB:<\/strong> <a href=\"https:\/\/amzn.to\/3VryzEU\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$99 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM520xEB:<\/strong> <a href=\"https:\/\/amzn.to\/4i0qCPA\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$109 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM530xEN:<\/strong> <a href=\"https:\/\/amzn.to\/4xYSjgk\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$199 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM740xML:<\/strong> <a href=\"https:\/\/amzn.to\/4hFuunH\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$249 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM745xML:<\/strong> <a href=\"https:\/\/amzn.to\/475CsBQ\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$329 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM750xSH:<\/strong> <a href=\"https:\/\/amzn.to\/4yB74qY\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$369 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM760xSL:<\/strong> <a href=\"https:\/\/amzn.to\/46WcoJp\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$599 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM610xMONO:<\/strong> <a href=\"https:\/\/amzn.to\/4yuOMrc\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$129 at Amazon<\/a><\/li>\n\n\n\n<li><strong>AT-VM670xSP:<\/strong> <a href=\"https:\/\/amzn.to\/4APkcdq\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">$139 at Amazon<\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-related-reading-0\">Related Reading: <\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.ecoustics.com\/reviews\/teac-tn-400bt-x-turntable\/\">TEAC TN-400BT-X Turntable Review<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/reviews\/denon-dp-500bt-turntable\/\">Denon DP-500BT Turntable Review<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.ecoustics.com\/products\/audio-technica-at33x\/\">Audio-Technica AT33x MC Phono Cartridge Range<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Andover-One DD introduced us to Audio-Technica\u2019s overlooked VMx cartridge line. Here\u2019s what makes the nine-model range worth a closer look.<\/p>\n","protected":false},"author":89,"featured_media":334612,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[25,181],"tags":[4546,36999,37092,37090,37091,37093,4541,37089,37094,14452,4377],"class_list":{"0":"post-334452","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articles","8":"category-phono","9":"tag-andover-audio","10":"tag-andover-one-dd","11":"tag-at-vm530xen","12":"tag-at-vm740xml","13":"tag-at-vm750xsh","14":"tag-at-vm760xsl","15":"tag-audio-technica","16":"tag-audio-technica-vmx","17":"tag-audio-technica-vmx-cartridges","18":"tag-featured","19":"tag-phono-cartridges"},"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.4 (Yoast SEO v24.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What Is Audio-Technica&#039;s VMx Cartridge Line and Why Is It on the Andover-One DD? - ecoustics.com<\/title>\n<meta name=\"description\" content=\"The Andover-One DD introduced us to Audio-Technica\u2019s overlooked VMx cartridge line. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/334452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=334452"}],"version-history":[{"count":9,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/334452\/revisions"}],"predecessor-version":[{"id":334631,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/334452\/revisions\/334631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/334612"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=334452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=334452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=334452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}