The interesting part isn’t simply the price. Goldmund has fundamentally reworked how its flagship preamplifier manages power, separates its audio channels, and controls the signal before it reaches the power amplifier.<\/p>\n\n\n\n
Related Reading:<\/h3>\n\n\n\n\n- Goldmund Unveils Telos 690 Integrated Stereo Amplifier <\/a><\/li>\n\n\n\n
- Goldmund Theia, Rhea And Asteria Wireless Speakers Are Modern Monuments Of Sound<\/a><\/li>\n<\/ul>\n\n\n\n
![\"goldmund-mimesis-statement-stack-top-angle\"](\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/goldmund-mimesis-statement-stack-top-angle.jpg\")
<\/figure>\n\n\n\nThree Chassis Because One Would Be Far Too Sensible<\/h2>\n\n\n\n
The Mimesis Statement employs a three-chassis architecture consisting of a central preamplifier and two external power supply units, one dedicated to each channel. This arrangement physically separates the audio circuitry from its power supplies while maintaining independent power delivery for the left and right channels.<\/p>\n\n\n\n
The concept isn’t entirely new to Goldmund. Its existing Mimesis Reference preamplifier already employs dedicated power supplies for each channel, but the Statement takes physical separation further by housing the two external supplies independently.<\/p>\n\n\n\n
Goldmund has also adopted a fully symmetrical internal architecture, developed new audio circuitry, and introduced revised volume-control management. A new generation of discrete power regulation incorporates additional voltage-regulation stages designed to improve noise rejection and maintain stable operating conditions.<\/p>\n\n\n\n
Proprietary internal wiring and revised heat dissipation are intended to reduce interference and keep the electronics operating consistently. These are engineering decisions with legitimate technical objectives, although whether the resulting improvements are audible compared with an already exceptional preamplifier remains a question for independent testing.<\/p>\n\n\n\n
What Makes the Mimesis Statement Different?<\/h2>\n\n\n\n
Goldmund’s stated objective is to preserve the original recording with as little alteration as possible. Rather than adding digital processing or another layer of functionality, the Statement concentrates on the analog signal path and the operating conditions surrounding it.<\/p>\n\n\n\n
The redesigned audio board and volume-control system are particularly important because preamplifiers must handle source selection, signal levels, and attenuation without introducing unnecessary noise or distortion. The company claims its latest architecture delivers exceptionally low measured distortion and an extremely wide frequency response.<\/p>\n\n\n\n
That bandwidth extends far beyond the limits of human hearing, which doesn’t mean you’re suddenly going to hear what your dog hears. It does, however, reflect Goldmund’s emphasis on wideband circuit design rather than limiting performance strictly to the audible frequency range.<\/p>\n\n\n\n
The exterior receives some attention as well. A new cover glass display, metal-coated front-panel controls, and a fine recessed gold line spanning all three chassis create a unified appearance despite the physically separated electronics.<\/p>\n\n\n\n
For a company that has built its reputation on precision machining and understated industrial design, the result is recognizably Goldmund. There is nothing especially flashy about the appearance, which is amusing when the equipment costs enough to make a Swiss private banker request a second signature.<\/p>\n\n\n\n![\"goldmund-mimesis-statement-stack-rear-angle\"](\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/goldmund-mimesis-statement-stack-rear-angle.jpg\")
<\/figure>\n\n\n\nGoldmund Mimesis Statement Specifications:<\/h3>\n\n\n\n\n- Component type:<\/strong> Flagship analog stereo preamplifier<\/li>\n\n\n\n
- Architecture:<\/strong> Three separate chassis comprising one preamplifier and two external power supplies<\/li>\n\n\n\n
- Channel configuration:<\/strong> Fully symmetrical internal architecture with independent left and right channel power supplies<\/li>\n\n\n\n
- Frequency response:<\/strong> 0.2 Hz to 1.5 MHz (\u00b13 dB)<\/li>\n\n\n\n
- THD+N:<\/strong> 0.0002%, measured from unbalanced input to unbalanced output<\/li>\n\n\n\n
- IMD+N:<\/strong> 0.0006%, measured from unbalanced input to unbalanced output<\/li>\n\n\n\n
- Signal-to-noise ratio:<\/strong> Greater than 130 dB on line input<\/li>\n\n\n\n
- A-weighted signal-to-noise ratio:<\/strong> Greater than 138 dB<\/li>\n\n\n\n
- Power regulation:<\/strong> Discrete regulation with additional voltage-regulation stages<\/li>\n\n\n\n
- Audio circuitry:<\/strong> Newly developed audio board and volume-control management<\/li>\n\n\n\n
- Control connections:<\/strong> Two trigger outputs switching between 0 V and 12 V to control compatible power amplifiers<\/li>\n\n\n\n
- Exterior:<\/strong> Cover glass display, metal-coated controls, and recessed gold detailing<\/li>\n<\/ul>\n\n\n\n
The Goldmund Mimesis Statement features three balanced XLR and seven unbalanced RCA line-level inputs, along with three XLR and three RCA outputs. Goldmund has not yet disclosed the dimensions or weights of the three chassis.<\/p>\n\n\n\n![\"goldmund-mimesis-statement-stack-front-angle\"](\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/goldmund-mimesis-statement-stack-front-angle.jpg\")
<\/figure>\n\n\n\nWhere Does It Fit Into Goldmund’s Growing Empire?<\/h2>\n\n\n\n
During our AXPONA 2026 preview<\/a>, we reported on Goldmund’s $159,000 Mimesis Reference preamplifier, which was being demonstrated alongside the company’s formidable Telos 8800 monoblock amplifiers. The arrival of the Statement establishes an even higher tier for customers who prefer separate analog components.<\/p>\n\n\n\nIt also provides a natural partner for the Telos 9800, introduced earlier this year with a revised amplification platform and a claimed 1,560 watts of output into 8 ohms. The Statement’s two 12-volt trigger outputs offer a practical way to coordinate the operation of a pair of compatible power amplifiers, which is useful when the associated system occupies a significant amount of real estate.<\/p>\n\n\n\n
Interestingly, Goldmund has also invested heavily in active wireless loudspeakers<\/a>, offering a very different approach to ultra-high-end audio. The Statement demonstrates that the company sees a future for both integrated systems and traditional separates, particularly among customers unwilling to compromise on component selection.<\/p>\n\n\n\n![\"goldmund-mimesis-statement-front-closeup\"](\"https:\/\/www.ecoustics.com\/wp-content\/uploads\/goldmund-mimesis-statement-front-closeup.jpg\")
<\/figure>\n\n\n\nThe Bottom Line<\/h2>\n\n\n\n
The Mimesis Statement represents a serious engineering effort rather than an existing preamplifier dressed up with another badge and a more ambitious price tag. Its redesigned signal circuitry, independent external power supplies, and extremely low claimed noise figures suggest Goldmund is concentrating on the fundamentals of analog reproduction, even when the incremental performance improvements may be difficult to establish by listening alone.<\/p>\n\n\n\n
What remains to be demonstrated is how much audible improvement this architecture delivers over the Mimesis Reference and other top-tier preamplifiers. The specifications deserve attention, but at this price, excellent measurements should be the beginning of the conversation rather than the final argument for ownership.<\/p>\n\n\n\n
Goldmund has never been interested in making high-end audio accessible to everyone, and the Statement won’t change that. The more interesting question is whether a company that has already pushed conventional analog engineering so far can demonstrate meaningful progress when diminishing returns have become the industry’s most expensive engineering problem.<\/p>\n\n\n\n
Pricing & Availability<\/h2>\n\n\n\n
The Goldmund Mimesis Statement is priced at $240,000 USD, \u00a3182,000 GBP, or CHF 200,000<\/strong>. A specific retail shipping date has not been provided in the announcement, so interested buyers should consult an authorized Goldmund dealer for ordering information.<\/p>\n\n\n\nFor perspective, pairing it with two Telos 9800 monoblock amplifiers at $500,000 apiece would create a $1.24 million amplification system before purchasing loudspeakers, sources, or cables. At that point, the equipment rack isn’t furniture anymore; it’s something you may need to disclose to your estate attorney.<\/p>\n\n\n\n
For more information: goldmund.com<\/a><\/p>\n\n\n\nRelated Reading:<\/h3>\n\n\n\n\n- Goldmund Telos 670 Integrated Amp: 250W Class A\/B, Built-In DAC, And A Price Tag Steeper Than The Swiss Alps<\/a><\/li>\n\n\n\n
- Dan D\u2019Agostino Momentum Z Monoblock Amplifier Can Be Yours For $125K \u2014 But You\u2019ll Need Two!<\/a><\/li>\n\n\n\n
- Dan D\u2019Agostino Progression Neo Series Brings Relentless And Momentum Tech To New Preamplifier, Mono And Stereo Amps: High End Vienna 2026<\/a> <\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"
Goldmund’s Mimesis Statement uses three chassis, separate channel power supplies and redesigned analog circuitry. A flagship with a startling price.<\/p>\n","protected":false},"author":89,"featured_media":336425,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[22,78],"tags":[35713,14452,16586,37626,37629,35644,37627,35645,35444,37628],"class_list":{"0":"post-336259","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-products","8":"category-preamplifier","9":"tag-analog-audio-2","10":"tag-featured","11":"tag-goldmund","12":"tag-goldmundmimesisstatementpreamplifier","13":"tag-hi-fi-separates","14":"tag-high-end-audio-2","15":"tag-mimesis-statement","16":"tag-preamplifiers-2","17":"tag-swiss-audio","18":"tag-telos-9800-2"},"apple_news_notices":[],"yoast_head":"\n
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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. 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White has been covering consumer audio, home theater, and A\/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city. He\u2019s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report. Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida\u2014because chaos, like mold, thrives in humidity and traffic. He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. When he\u2019s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He\u2019s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he\u2019s already memorized, firing slapshots at the garage door like it\u2019s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever\u2019s left of his moral compass.","sameAs":["https:\/\/www.instagram.com\/soundscreenandcuredjudgment\/","https:\/\/www.linkedin.com\/in\/ian-d-white-969a48160\/"],"knowsAbout":["Fishing","cooking","writing","cleaning pots"],"knowsLanguage":["English","French","Hebrew"],"url":"https:\/\/www.ecoustics.com\/author\/ian-white\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/336259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/comments?post=336259"}],"version-history":[{"count":3,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/336259\/revisions"}],"predecessor-version":[{"id":336424,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/posts\/336259\/revisions\/336424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media\/336425"}],"wp:attachment":[{"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/media?parent=336259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/categories?post=336259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoustics.com\/wp-json\/wp\/v2\/tags?post=336259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/figure>\n\n\n\nThree Chassis Because One Would Be Far Too Sensible<\/h2>\n\n\n\n
The Mimesis Statement employs a three-chassis architecture consisting of a central preamplifier and two external power supply units, one dedicated to each channel. This arrangement physically separates the audio circuitry from its power supplies while maintaining independent power delivery for the left and right channels.<\/p>\n\n\n\n
The concept isn’t entirely new to Goldmund. Its existing Mimesis Reference preamplifier already employs dedicated power supplies for each channel, but the Statement takes physical separation further by housing the two external supplies independently.<\/p>\n\n\n\n
Goldmund has also adopted a fully symmetrical internal architecture, developed new audio circuitry, and introduced revised volume-control management. A new generation of discrete power regulation incorporates additional voltage-regulation stages designed to improve noise rejection and maintain stable operating conditions.<\/p>\n\n\n\n
Proprietary internal wiring and revised heat dissipation are intended to reduce interference and keep the electronics operating consistently. These are engineering decisions with legitimate technical objectives, although whether the resulting improvements are audible compared with an already exceptional preamplifier remains a question for independent testing.<\/p>\n\n\n\n
What Makes the Mimesis Statement Different?<\/h2>\n\n\n\n
Goldmund’s stated objective is to preserve the original recording with as little alteration as possible. Rather than adding digital processing or another layer of functionality, the Statement concentrates on the analog signal path and the operating conditions surrounding it.<\/p>\n\n\n\n
The redesigned audio board and volume-control system are particularly important because preamplifiers must handle source selection, signal levels, and attenuation without introducing unnecessary noise or distortion. The company claims its latest architecture delivers exceptionally low measured distortion and an extremely wide frequency response.<\/p>\n\n\n\n
That bandwidth extends far beyond the limits of human hearing, which doesn’t mean you’re suddenly going to hear what your dog hears. It does, however, reflect Goldmund’s emphasis on wideband circuit design rather than limiting performance strictly to the audible frequency range.<\/p>\n\n\n\n
The exterior receives some attention as well. A new cover glass display, metal-coated front-panel controls, and a fine recessed gold line spanning all three chassis create a unified appearance despite the physically separated electronics.<\/p>\n\n\n\n
For a company that has built its reputation on precision machining and understated industrial design, the result is recognizably Goldmund. There is nothing especially flashy about the appearance, which is amusing when the equipment costs enough to make a Swiss private banker request a second signature.<\/p>\n\n\n\n The Goldmund Mimesis Statement features three balanced XLR and seven unbalanced RCA line-level inputs, along with three XLR and three RCA outputs. Goldmund has not yet disclosed the dimensions or weights of the three chassis.<\/p>\n\n\n\n During our AXPONA 2026 preview<\/a>, we reported on Goldmund’s $159,000 Mimesis Reference preamplifier, which was being demonstrated alongside the company’s formidable Telos 8800 monoblock amplifiers. The arrival of the Statement establishes an even higher tier for customers who prefer separate analog components.<\/p>\n\n\n\n It also provides a natural partner for the Telos 9800, introduced earlier this year with a revised amplification platform and a claimed 1,560 watts of output into 8 ohms. The Statement’s two 12-volt trigger outputs offer a practical way to coordinate the operation of a pair of compatible power amplifiers, which is useful when the associated system occupies a significant amount of real estate.<\/p>\n\n\n\n Interestingly, Goldmund has also invested heavily in active wireless loudspeakers<\/a>, offering a very different approach to ultra-high-end audio. The Statement demonstrates that the company sees a future for both integrated systems and traditional separates, particularly among customers unwilling to compromise on component selection.<\/p>\n\n\n\n The Mimesis Statement represents a serious engineering effort rather than an existing preamplifier dressed up with another badge and a more ambitious price tag. Its redesigned signal circuitry, independent external power supplies, and extremely low claimed noise figures suggest Goldmund is concentrating on the fundamentals of analog reproduction, even when the incremental performance improvements may be difficult to establish by listening alone.<\/p>\n\n\n\n What remains to be demonstrated is how much audible improvement this architecture delivers over the Mimesis Reference and other top-tier preamplifiers. The specifications deserve attention, but at this price, excellent measurements should be the beginning of the conversation rather than the final argument for ownership.<\/p>\n\n\n\n Goldmund has never been interested in making high-end audio accessible to everyone, and the Statement won’t change that. The more interesting question is whether a company that has already pushed conventional analog engineering so far can demonstrate meaningful progress when diminishing returns have become the industry’s most expensive engineering problem.<\/p>\n\n\n\n The Goldmund Mimesis Statement is priced at $240,000 USD, \u00a3182,000 GBP, or CHF 200,000<\/strong>. A specific retail shipping date has not been provided in the announcement, so interested buyers should consult an authorized Goldmund dealer for ordering information.<\/p>\n\n\n\n For perspective, pairing it with two Telos 9800 monoblock amplifiers at $500,000 apiece would create a $1.24 million amplification system before purchasing loudspeakers, sources, or cables. At that point, the equipment rack isn’t furniture anymore; it’s something you may need to disclose to your estate attorney.<\/p>\n\n\n\n For more information: goldmund.com<\/a><\/p>\n\n\n\n Goldmund’s Mimesis Statement uses three chassis, separate channel power supplies and redesigned analog circuitry. A flagship with a startling price.<\/p>\n","protected":false},"author":89,"featured_media":336425,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":"\"\"","apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[22,78],"tags":[35713,14452,16586,37626,37629,35644,37627,35645,35444,37628],"class_list":{"0":"post-336259","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-products","8":"category-preamplifier","9":"tag-analog-audio-2","10":"tag-featured","11":"tag-goldmund","12":"tag-goldmundmimesisstatementpreamplifier","13":"tag-hi-fi-separates","14":"tag-high-end-audio-2","15":"tag-mimesis-statement","16":"tag-preamplifiers-2","17":"tag-swiss-audio","18":"tag-telos-9800-2"},"apple_news_notices":[],"yoast_head":"\n<\/figure>\n\n\n\nGoldmund Mimesis Statement Specifications:<\/h3>\n\n\n\n
\n
<\/figure>\n\n\n\nWhere Does It Fit Into Goldmund’s Growing Empire?<\/h2>\n\n\n\n
<\/figure>\n\n\n\nThe Bottom Line<\/h2>\n\n\n\n
Pricing & Availability<\/h2>\n\n\n\n
Related Reading:<\/h3>\n\n\n\n
\n